Balanchine's "Stars and Stripes" - The Suzanne Farrell Ballet | LIVE at The Kennedy Center
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Allynne Noelle and Thomas Garrett of The Suzanne Farrell Ballet perform a selection from "Stars and Stripes" LIVE at the Kennedy Center. Created in 1958, Stars and Stripes is divided into five "campaigns" in which more than 40 dancers perform to various marches by John Philip Sousa, complete with baton twirling, military formations, and rifle-bearing ballerinas. Over the years, Balanchine`s exuberantly patriotic ballet has been staged for many landmark moments in American history, including a tribute to President John F. Kennedy. Part of Millennium Stage at the Kennedy Center, October 12, 2016. Watch the full performance: https://youtu.be/jZauOlN03uA Subscribe to The Kennedy Center! http://bit.ly/2gNFrtb
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Play video A Super Story About Super Kids - Dancing In the Nutcracker | A Kennedy Center Digital Stage Original
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Each year, hundreds of children audition to be "supernumeraries" -- the aspiring young dancers who play the soldiers, mice, party guests, and other characters in the beloved "Nutcracker" ballet -- in a visiting company's production at the Kennedy Center. Journey with them from auditions through rehearsals to their performance on the grand Opera House stage. #digitalstage #ballet #nutcracker Subscribe to The Kennedy Center! http://bit.ly/2gNFrtb
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Play video Ballerina Maria Tallchief performs for President John F. Kennedy (1962) | The Kennedy Center
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Ballerina Maria Tallchief performs for Presidents John F. Kennedy and Dwight D. Eisenhower during "An American Pageant of the Arts," on November 29, 1962. The purpose of the event was to raise funds for the National Cultural Center, begun under Eisenhower's administration and encouraged under Kennedy's. Two months after President Kennedy's assassination in November 1963, Congress passed and President Johnson signed into law legislation renaming the National Cultural Center as a "living memorial" to John F. Kennedy. Watch the full pageant with Bob Newhart, Harry Belafonte, Yo-Yo Ma, Danny Kaye, Marian Anderson, Robert Frost, Andre Previn, and many more: https://youtu.be/pCIg6fTPA5U Learn more about the Kennedy Center's history: https://www.kennedy-center.org/our-story/history/ Maria Tallchief was considered America's first major prima ballerina. She was the first Native American to hold the rank, and is said to have revolutionized ballet. When George Balanchine co-founded what would become the New York City Ballet in 1946, Tallchief became the company's first star. The combination of Balanchine's difficult choreography and Tallchief's passionate dancing changed the world of dance. She served as director of ballet for the Lyric Opera of Chicago for most of the 1970s and debuted the Chicago City Ballet in 1981. Tallchief was honored by the people of Oklahoma with multiple statues and an honorific day. She was inducted in the National Women's Hall of Fame and received a National Medal of Arts. In 1996, Tallchief received a Kennedy Center Honor for lifetime achievements. Help Inspire Others: The Kennedy Center building may be temporarily closed, but its arts and education programming is still alive! Your gift today will provide vital support for the arts during the COVID-19 Pandemic. Please consider donating today at: https://www.kennedy-center.org/Support/Help/ Subscribe to The Kennedy Center! http://bit.ly/2gNFrtb #mariatallchief #ballerina #kennedycenter
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Play video Reframing the Narrative: Blacks in Ballet | A Kennedy Center Digital Stage Original
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Eleven black dancers from historically white ballet companies were commissioned by The Kennedy Center to create and perform a brand new ballet in just two weeks. This is their story... ----- Guest curator Theresa Ruth Howard facilitated a two-week creative process through Kennedy Center Social Impact’s Office Hours Residency Program with renowned choreographer Donald Byrd, using the music of Kennedy Center Composer-in-Residence Carlos Simon, to birth this stunning piece that premiered on the Reframing the Narrative program in the Kennedy Center Opera House alongside works presented by Dance Theatre of Harlem, Ballethnic Dance Company, and Collage Dance Collective. ----- Proud recipient of an Anthem Award for Education, Art & Culture! https://www.anthemawards.com/winners/ ----- CREATIVE TEAM Choreographer Donald Byrd Composer Carlos Simon Conductor Dr. Leslie Dunner Curators Theresa Ruth Howard Denise Saunders Thompson Dancers Portia Adams Precious Adams Katlyn Addison Joshua Bodden Corey Bourbonniere Jenelle Figgins Claudia Monja Ashley Murphy-Wilson Gian Carlo Perez Jonathan Philbert Miranda Silveira Raquel Smith, Apprentice VIDEO Executive Producer Regis Vogt Producers Tony Donghyuk Yoon Ryan Nichols Director / Director of Photography Tony Donghyuk Yoon Editor Ryan Nichols Graphics Georgia Bergin Camera Operators - Story Tony Donghyuk Yoon Josh Rodriguez Camera Operators - Performance Stella Sharpe Josh Rodriguez Harry Oakes Rick Burks Ayal Subar Camera Assistants Harry Oakes Ben Janusz KENNEDY CENTER DANCE PROGRAMMING Director, Dance Programming Jane Raleigh Manager, Dance Programming Julie Akerly Coordinator, Dance Programming Malik Burnett From Other Suns was commissioned by the John F. Kennedy Center for the Performing Arts as part of Reframing the Narrative (2022) and is made possible with support from the Kennedy Center Social Impact’s Office Hours Residency program. ----- 2:39 - Dancer Othella Dallas is mistakenly identified here as Katherine Dunham. Katherine discovered and trained Othella, and Othella taught Katherine Dunham's technique into her 90s. ----- Subscribe to The Kennedy Center! http://bit.ly/2gNFrtb #reframingthenarrative #ballet #thekennedycenter
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Play video Revelations - Alvin Ailey American Dance Theater
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“Watching Alvin Ailey American Dance Theater can change your life. If that sounds like a slogan, it's truth in advertising." -The New York Times Using African-American spirituals, song-sermons, gospel songs and holy blues, Alvin Ailey's Revelations fervently explores the places of deepest grief and holiest joy in the soul. More than just a popular dance work, it has become a cultural treasure, beloved by generations of fans. Seeing Revelations for the first time or the hundredth can be a transcendent experience, with audiences cheering, singing along and dancing in their seats from the opening notes of the plaintive "I Been 'Buked" to the rousing "Wade in the Water" and the triumphant finale, "Rocka My Soul in the Bosom of Abraham." Ailey said that one of America's richest treasures was the African-American cultural heritage-"sometimes sorrowful, sometimes jubilant, but always hopeful." This enduring classic is a tribute to that tradition, born out of the choreographer's "blood memories" of his childhood in rural Texas and the Baptist Church. But since its premiere in 1960, the ballet has been performed continuously around the globe, transcending barriers of faith and nationality, and appealing to universal emotions, making it the most widely-seen modern dance work in the world. ________ Repertory programs to include Revelations Truly great dance can be a window into the heart and soul, revealing our deepest selves. Let Ailey take you on a path of discovery. We'll show you ourselves through our movement and help you see yourself in our stories. Darrell Grand Moultrie's Ounce of Faith is an exuberant expression of what's possible when a young person is encouraged to dream. Jamar Roberts' Ode reflects on the beauty and fragility of life in a time of growing gun violence. And Greenwood, a new commission from Donald Byrd, shines a light on the 1921 attack by a white mob that destroyed an affluent black neighborhood in Tulsa, OK. Company premieres and new productions round out the season, along with returning audience favorites including Mr. Ailey's timeless classic Revelations. Subscribe to The Kennedy Center! http://bit.ly/2gNFrtb
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Play video Now More Than Ever: A Film by Ezra Hurwitz (Choreography by Marcelo Gomes) | The Kennedy Center
Now More Than Ever: A Film by Ezra Hurwitz (Choreography by Marcelo Gomes) | The Kennedy Center
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Play video Conversations on Dance with Skylar Brandt | Bonus Walk and Talk through the Kennedy Center
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"Conversations on Dance" hosts Michael Breeden and Rebecca Ferraro took ABT soloist Skylar Brandt on a walk through the Kennedy Center after the podcast recording on Saturday, February 2, 2019. Listen to the podcast through your favorite podcast app by searching “Conversations on Dance” or through their website at conversationsondancepod.com/listen-now. Skylar Brandt is a soloist at ABT. Brandt trained at the American Ballet Theatre Jacqueline Kennedy Onassis School from 2005-2009 and at ABT's New York Summer Intensive as a National Training Scholar. She joined the ABT Studio Company in 2009 and became an apprentice with the main Company the following year. Brandt joined ABT’s corps de ballet in 2011 and was appointed a Soloist in 2015. Her leading roles with the Company include Gamzatti in La Bayadére, Medora in Le Corsaire, the title role in The Golden Cockerel and Princess Praline in Whipped Cream. Brandt received a 2013 Princess Grace Award. She will perform the role of Columbine in ABT’s Washington, D.C. premiere of Harlequinade at the Kennedy Center. Conversations on Dance is a lively and engaging new podcast giving audiences an inside look into the world of ballet and professional dance. Breeden and Ferraro discuss ballet training, techniques, and choreography, and conduct interviews with some of the ballet world's best and brightest. To explore more Ballet at the Kennedy Center: http://www.kennedy-center.org/calendar/genre/BAL To explore more Dance at the Kennedy Center: http://www.kennedy-center.org/calendar/genre/DAN For more ballet video content: https://digitalstage.kennedy-center.org/category/videos/ballet For more dance video content: https://digitalstage.kennedy-center.org/category/videos/dance Subscribe to The Kennedy Center! http://bit.ly/2gNFrtb
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